Friday, April 26, 2013

Echoes of His Mind

What follows is a manuscript I wrote about my father once he suffered from a life-altering stroke.  Although he lived the last two years of his life in a nursing home, he was always cheerful when I'd visit him.  His true character and brave personality during that period of his life inspire me even today. 
 
ECHOES OF HIS MIND

The windows of the day room were flung open; the air—light and fresh—gently blew the curtains to and fro, but the air within the enclosed corridors—heavy and stagnant—wafted down the hall with the sound of choking coughs, the blended noise of televisions broadcasting different channels, and the distinctive smell of urine.

            When I entered the day room, I felt a surge of shock.  Many residents slept in their chairs; a wheelchair swallowed the tangled skeleton of a woman—her head flopped over her chest and her leg bones twisted uncomfortably.  Joyless inertia permeated the room hinting at Timber Rock Manor’s unspoken function—caring for elderly people who are dying. 

            Behind me a raspy voice said, “He wanted ta go fishin’ after dinner,” said Anwar—the aide who cares for my father and his roommate, Henry.  “I tries ta oblige Edwin whenevers I can; I wheels him down to da creek ta sit fer a bit whilst I’m tendin’ ta Henry.  Mosey on down there; he’d loves ta see ya!  Careful so’s not to spook him, though.”

            I glanced out the windows and saw my father sitting outside in his wheelchair near the edge of Timber Rock Creek.  His left arm over which he has no control was propped up by pillows.  His olive skin—once tan from fishing during long summer days—was now ghost white.  A white paper bib hung from his neck in a rather undignified manner. 

            I approached the creek bank not wanting to disturb either the fish or the angler who was casting his line into the shallow creek waters.  As I drew near, a small twig snapped like a guitar string underneath my feet; small birds scattered above me—disrupting the tranquility. 

Pop shifted his head in my direction.  “Hi, sa..sa..saweetie pie!  Ca..ca..caught 59 fish t’day.”

 

His eyes danced; a familiar mischievous smile raced across his face as he demonstrated how he’d cast his line into Lake Tawakoni.  He knew its choicest spots, for—when the lake was but a river—he’d hunted the area as a young boy and gathered Indian arrowheads. 

“What did ya use to catch those fish, Pop?”

“Crickets ‘n blood bait…..da fa..fa..faish nibble sla...sla..slowly..ca..ca..caught…59 fish t’day!  We havin’ fish fry!”

I choked back the tears remembering that summer day in 1961 when Pop actually caught 59 fish and brought them home for a fish fry.  Since Pop’s stroke, though, both time and space lost their relevance—happily happily frozen in the recesses of his mind. 

“Fantastic!  I’ve been wantin’ some fried fish and hushpuppies.  You iced ‘em down, right?”

“Yep!  Wha..wha...where’s Anwar?  He..he..he said he’d clean ‘n filet fish.”

“He’s waitin’ for ya up at the Manor.  It’ll be dark soon—let’s head back inside.”

“Okay, sa..sa..saweetie pie.  Love you!”

So I pushed Pop’s wheelchair across the winding trails toward Timber Rock Manor.  When we arrived in Pop’s room, Anwar was tending to Henry—who was clearly at the brink of death. 

Anwar spooned water into Henry’s mouth and asked, "Dat frog still in your throat? Youz needs to drink.  Please now, Henry," he begged.  When Henry accepted some liquid, Anwar approvingly said, “Wunnerful!”  Anwar massaged Henry’s shoulders, arms, and hands then gently cleaned his mouth with a small medical sponge.  Henry’s eyes didn’t open, but he uttered a sound that could be either a sigh or moan. 

 “Edwin,” he said, “Your daughter brought cha a choc-lit malt.  I knows youz loves dat malt!  Why don’ts I eases ya up into be sos youz can drink it?

            Pop nodded affirmatively, but a frustrating frown crossed his face.  Although Pop’s stroke took away his independence, it hadn’t eliminated the emotional anguish Pop faced each day adjusting to his inability to do even the simplest things—walking, bathing, eating, lifting himself into bed, and going to the bathroom.  Pop glanced at me; I instinctively knew he’d rather me not see him vulnerable and physically incapable.

            Yet, I desperately wanted Pop to know that—despite his current condition—he was still my inspiration and hero.  I wanted to find the word that would express how much I admired his courage even at this stage of his life, for he’s never once complained since the day his stroke forever altered his life.  I stood next to his bed struggle with what to say and do at this particular moment.

            Then I remembered that Pop, too, sometimes struggled with what to say and do whever I was troubled or sad.  Often he walked to the local convenience store; bought two small, nickel-size bags of plain M&Ms; then we quietly sat together on the back porch sharing our M&Ms.  Eventually, he’d touch my hand; give me a hug; and say, “I love you.  You’re gonna be alright.”  I treasured those moments of comfort and understanding.

            Then I remembered that I’d seen packages of M&Ms in the vending machine in the lobby.  So, I slipped out the door; headed to the lobby; and bought two packages of M&Ms.  By the time I returned to Pop’s room, Anwar was gone, but he’d left Pop sitting up in bed.  So, I scooched a chair next to him; tore open a package; and placed some M&Ms into his right hand.  He glanced down at his hand, then back at me pouring all the candy from his hand into his mouth and chuckling.  I opened my bag pouring some M&Ms into my hand then directly into my mouth.  We continued eating our M&Ms silently sharing a moment of deep understanding.  Eventually, I touched Pop’s hand; gave him a hug; and said, “I love and admire you, Pop.  Thanks for loving me!”

            “I love you, too, sa..sa..saweetie pie!”

            Tears quickly filled both our eyes.  Before awkwardness ruined the moment, I squeezed Pop’s hand; hugged him around the neck; then walked down the corridor toward the dim evening light—grateful for the echoes of his mind where Pop could live in the midst of his memories without pain. 

 

Wednesday, April 17, 2013

Ticket to Ride

This story, "Ticket to Ride," is one of my favorite.  It is a true story about my summer of creativity with my Aunt Betty Stainbrook.  She was a true gem of a lady whose spirit remains a part of me even to this day.  I read this story before a live audience at Tales from the South in Little Rock, Arkansas, in July 2012.  I've enjoyed sharing this story and hope you enjoy it as well.

TICKET TO RIDE by Sara Etgen-Baker

At 61, Sara Etgen-Baker still enjoys Ferris wheels and setting her spirit free.  She’s found that that living life beyond convention has filled both her spirit and her life with adventure, eagerness, creativity, and soulfulness.  

“You gotta have a ticket to ride!” snapped the Carney. “Get a ticket or move outta da way, kid. You’re takin’ up space!”

I stared motionless—hypnotized—as the magical wheel with its clockwise, circular motions cut through the heavy August clouds.

“Here’s her ticket, sir. We three are ridin’ together.”

“Not happenin’, lady—only two per chair. One of youz has to ride by yerself.”

“No problem, sir…she’s the oldest; she’ll ride by herself.”

“Whatever ya say, lady. She seems a bit scared to me though.”

Aunt Betty scooted me to the next seat and said, “You’re okay with that, aren’t you sweetie?”

I tried to swallow, but couldn’t. Unable to speak, I nodded yes hoping not to show my fear and doubt.

Within an instant, I sat paralyzed and alone in the seat, waiting, pushing aside my fear of heights and wondering why my dear Aunt Betty left me to ride alone.  Just two days earlier I’d stood on the banks of the Mississippi River and watched the Ferris wheel being assembled on the fairgrounds.  I imagined climbing aboard one of the cars; riding the circle of lights; watching the sun set over the Mississippi; seeing the city’s lights from atop; and feeling the chair sway in the summer breeze.   My fascination had turned to fear—fluttering in my stomach like crazy butterflies.

“Single rider!” shouted the Carney. “Put down the bar so we can all go!” the Carney barked.

The wheel turned slowly, then faster; the earth below me moved and became smaller; then the chair rocked back and forth, and I came to rest high upon the apogee—stranded, alone, looking across the Mississippi River at the Old Mississippi River Bridge and the Old Lorimier Cemetery.

Above me soft white clouds drifted by.  Below me, a Mississippi steamboat—reminiscent of the one that Mark Twain piloted—glided its way through the mighty river’s current. I followed the muddy river as it snaked its way through the countryside below me. Every inch of the legendary waterway brought something new into view—odd little islands, hills, woods, and towns.   For a brief moment I thought I saw Lewis and Clark standing atop the bluffs mapping the river’s course.

No longer landlocked, I sat silent between anguish and ecstasy—suddenly empty of fearful thoughts and full of soothing thoughts. I closed my eyes as the Ferris wheel slowly turned round ‘n round and carried me to heaven. As I re-opened my eyes, evening approached; I felt as if I was traveling into space. The rhythmic rat tat tat tuh of the Ferris wheel’s machinery freed my thoughts as my spirit soared high above the ground. Inspired and unexpectedly shaken from my self-imposed timidity, I was forever transformed.

The rhythmic melody slowed then ended; when my chair approached ground level, the Carney released the safety bar and growled, “Careful, now girlee. Ya looks a bit dizzy.”

I stumbled anyway and fell backwards, looked up, and found Aunt Betty’s face smiling down at me.

“Yahoo, sweetie! I knew you could ride alone. I’m proud of you! Stand next to the Carney, and I’ll take your picture with my new Polaroid.  Okay, smile!”

Later that night Aunt Betty gave me that picture and said, “You grew up tonight.  So, tomorrow you’re going to work with me. Get a good night’s rest!”  I lay awake most of the night wondering just what she might have in store for me at the office where she worked.

The following morning, she took me into a poorly-lit, musty-smelling back room and sat me down at an antiquated, wooden office chair that was as stiff as an old man’s arthritic joints. She rolled me in front of a vintage Royal manual typewriter; placing my hands on the “home keys,” she demonstrated the reaches.  “You can read, can’t ya, sweetie? Now follow the instructions on each page; you’re old enough to type.  Remember… sit up straight and keep your wrists up.”

With that, she abandoned me—just as she’d done the night before.  For a week, I accompanied Aunt Betty to work where I silently sat perched at the keyboard, practicing until my wrists ached and my fingers numbed.  When boredom set in, she handed me a shoebox full of postcards and photographs.  

“Hey, look inside. Aren’t these pictures interesting?   Why not use them to type and create some stories?   I’d love to read ‘em when you’re finished.  How’d that be, sweetie?”

I nodded—relishing her suggestion like a new pianist who embraces reading sheet music for the first time.  Before summer ended I typed several stories carrying them home in a shoebox I aptly labeled “Shoebox Stories.”

The years since—like summer days—have burned and melted, leaving me to wonder whatever happened to my Shoebox Stories. Then while cleaning out my parents’ attic, I uncovered a somewhat dilapidated shoebox that smelled dusty like memories waiting to be explored.

As I gingerly opened the shoebox, a heartwarming aroma flooded my nostrils. I sniffed the yellowed, timeworn paper that smelled a bit like grass with a hint of vanilla over an underlying mustiness. I opened the folded pages and recognized the faded ink of the stories I had created so long ago.

The photographs—discolored and worn—immediately ignited memories of both the enchanting Ferris wheel and my summer of creativity when Aunt Betty gave me more than a ticket to ride a Ferris wheel. As I rode above the horizon, she unknowingly gave me a ticket to ride above convention—past my fears—into a life filled with anticipation, adventure, courage, resourcefulness, and a level of inspiration enjoyed only by those who have had their spirit set free.

Now I appreciate the beauty in sunsets and the joy in unexpected, sweet surprises. Although the Mississippi River inspired Mark Twain and gave birth to his creativity, the magical Ferris wheel transformed me and gave rise to my imagination—ever flowing like the river—ever turning tales to be told.

Here's what the editor at Page and Spine said about "Ticket to Ride"
Bloody brilliant!
This is very good. The writer leads us into the story with perfect timing and intrigue. The emotional roller-coaster of emotions cleverly introduced made me think of facing my own fears and being abandoned.I swore I thought it was fiction and only in the last two paragraphs does the writer reveal it is autobiographical---a fact that made it an even stronger story to share with readers.I’d congratulate the writer on a well penned piece of writing and I’d publish it in a heartbeat. -Jade

View the story at the following digital magazine: 

Monday, April 15, 2013

The Best Gift

I enjoy writing for Tiny Lights--an online writer's exchange.  What follows is one of my essays posted on April 15, 2012, in response to the question Why Do You Write?

On the surface, I write because it's what I love to do. I write because I can't help myself; writing is as much a reflex as breathing and equally essential. I write because it gives me satisfaction and a sense of completeness that nothing else can.

Writing also quenches my desire to create-—to transform the abstract lines and circles that represent the 26 letters of the alphabet into vivid, memorable experiences. During that transformation, images and words come; and stories are put together one sentence at a time.


What hits me during those transformational moments is not so much my own effort but gratitude for the wonder of the gift that is writing. All too often, words are just given to me. So-—during those moments when words seem so absent-—I remember that writing is a gift and remember to be grateful for it.

Because stories and books shaped my life, I'm also grateful for the opportunity to give back to the world that which was given to me. Ultimately, my giving attitude liberates me because I realize I can only give what I have at that moment. I don't necessarily have to be a brilliant writer or a best-selling novelist; I simply need to write and give from my heart. That is gift enough.

I acknowledge that writing-—in and of itself-—is an awesome gift and a beautiful form of art. I write because that's what I was meant to do. I write because painting stories with words is what I'm compelled to do. I write because-—hands down-—it's the best gift I can give the world and myself.

Here's the link to Tiny Lights:
http://tiny-lights.com/searchlights.php?id=1372#1373